Tifereth➔Yesod / Anahata➔Manipura

More sex on the Sistine Ceiling. =D
Here the symbolic journey to understand the Sistine Ceiling begins.
Here I painted the most clear representation of the Kundalini serpent to state my vision about its awakening: it must start from the heart. I put a self-portrait near to the Om symbol just to point out the symbolic significance of this scene to the whole Ceiling.
My intention with the Temptation and Expulsion scene was also to show the transcendence of the entire process of sexual interaction between male and female.There is the preliminary sex, as oral sex: Eva was sucking Adam's penis and stopped to pick the fruit. Penetration: the tree itself is a penis and the vagina is the coiled snake. And after the sexual act, male and female begin to walk. They are born of the very consciousness of sexual identity.
The sword pointing to the back of Adam's head reveals the destiny of his and Eve's journey: Da'at, or knowledge, in the final union of male and female.
This scene of Adam and Eve walking together has to be understood as the creation of the physical world of space-time, the beginning of birth and rebirth: the cycle of reincarnation.
The idea of reincarnation is revealed at the root of the tree: the Hindu symbol Om.
The painting directly linked to "Temptation and Expulsion", "Sacrifice of Noah," it's a clear explanation of the Hindu origin of Christianity.

This is lower arc of Tifereth, where it reflects Yesod.
This is Anahata's connection with Manipura through the Hrit chackra.

Mais sexo no Teto da Capela Sistina. =D
Aqui, a jornada simbólica para entender o teto da Capela Sistina começa.
Aqui, eu pintei a mais clara representação da serpente Kundalini para declarar a minha visão sobre o seu despertar: ele deve partir do coração. Eu pintei um auto-retrato junto ao símbolo hindu Om para salientar o significado simbólico deste ponto da pintura para o teto inteiro.
A minha intenção com a cena da Tentação e Expulsão era também mostrar a transcendência de todo o processo de interação sexual entre macho e fêmea.Temos as preliminares do sexo, com o sexo oral: Eva estava chupando o pênis de Adão e parou para pegar o fruto. A penetração: a árvore em si é um pênis e a cobra enrolada é a vagina. E depois do ato sexual, macho e fêmea começam a caminhada. Eles nascem da própria consciência de identidade sexual.
A espada apontando a parte de trás da cabeça de Adão revela o destino de sua viagem e a de Eva: Da'at, ou seja, o conhecimento, na união final de masculino e feminino.
Esta cena de Adão e Eva caminhando juntos tem que ser entendida como a criação do mundo físico, do espaço-tempo, do início de nascimentos e renascimentos: o ciclo das reencarnações.
A idéia do início das reencarnações está revelada na raiz da árvore: o símbolo hindu Om.
Na pintura diretamente ligada à "Tentação e Expulsão", "O Sacrifício de Noé", eu coloquei de forma muito clara a origem hindu do cristianismo.

Este é o arco inferior de Tifereth, refletindo Yesod.
Esta é a ligação de Anahata com Manipura através do chackra Hrit. 

References / Referências:
en.wikipedia.org/wiki/Tiferet
en.wikipedia.org/wiki/Yesod
en.wikipedia.org/wiki/Anahata
en.wikipedia.org/wiki/Manipura
en.wikipedia.org/wiki/Om
en.wikipedia.org/wiki/Lingam
en.wikipedia.org/wiki/Yoni
en.wikipedia.org/wiki/Hod_(Kabbalah)
en.wikipedia.org/wiki/Netzach
en.wikipedia.org/wiki/Da%27at

This is Yesod!!! / Isto é Yesod!!!

Yesodhttp://en.wikipedia.org/wiki/Yesod

The sephirah of Yesod translates spiritual concepts into actions that unite us with God.It is often associated with the Moon, because it is the sphere which reflects the light of all the other sephirot into Malkuth, and it is associated with the sexual organs, because it is here that the higher spheres connect to the earth.It plays the role of collecting and balancing the different and opposing energies of Hod and Netzach, and also from Tiferet above it, storing and distributing it throughout the world. It is likened to the 'engine-room' of creation.

A sephirat Yesod traduz conceitos espirituais em ações que nos unem com Deus. Yesod é freqüentemente associada com a Lua, porque é a esfera que reflete a luz de todos os outros sephirot em Malkuth (O mundo da matéria). Yesod está associada com os órgãos sexuais porque é aqui que as esferas superiores se conectam a Terra. Yesod desempenha o papel de coletar e equilibrar as energias diferentes e opostas das sephirot Hod e Netzach, e também de Tiferet acima, armazenando e distribuindo-o por todo o mundo. Ela é comparada à "sala de máquinas" da criação.

This is Swadhisthana!!! / Isto é Swadhisthana!!!

English:
The reference used to create The Great Flood was not exactly that, but it was very similar. The main thing to be shown is how I followed the Kundalini illustrations to develop the scenes of my Kabbalah's Tree of Life. The solution to mix Yesod with Swadhisthana is the way the sexual organs are hidden. I wanted to show the ongoing sexual act in every detail in order to translate the real meaning of this painting on the Sistine Ceiling.

Português:
A referência utilizada para compor o Dilúvio Universal não foi exatamente esta, mas era muito semelhante. Quero mostrar apenas como segui as ilustrações da Kundalini para desenvolver a minha Árvore da Vida, da Cabala. A solução para misturar Swadhisthana com Yesod foi como os órgãos sexuais estão ocultados. Eu queria mostrar o ato sexual em curso com todos os detalhes. O real significado desta pintura no teto da Capela Sistina dependia desta clareza.

The Great Flood revealed!!! - 2

It's pretty clear now what I meant in my book about laughing hysterically when I started to paint the Sistine Chapel Ceiling. Everyone knows it was on the "Great Flood" that I learned fresco painting. I spent hours and hours to paint small figures and the result was shit. But there was something about the pope that I had not noticed before, when he was checking out what I was drawing on that ceiling: the pope could NOT see details at a certain distance!!! After being totally certain that the pope was blind to details when too close to the painting, I requested some changes to the scaffolding just to make him observe the paintings at that distance unsuitable for his visual understanding. And since then, I had the perfect situation to do what I wanted on the ceiling of the Sistine Chapel! =D

Back to 1983:
The spiritual experience of the remembrance of Vittoria Colonna's death was far beyond any logical consideration, but I had to analyse it with my logical mind. So there was the perception that the kind of despair I felt was NOT described on any book. Since the begining of all these, it was very clear to me that in february, 1983, I had just found the top of an emotional and transcendent iceberg. There was too much anger and a huge feeling of being betrayed by everyone. The poor descriptions about her death always seemed to me like a "let's keep up the appearances". But my despair was revealing that her death was violent and this could lead to a hint of the reasons of my inner revolt.
Deep spiritual experiences couldn't be started at any time just because of one's will. But I knew there was something huge inside myself that when it start being vomited it would transform my sense of reality forever.

The Great Flood revealed!!! - 1

I would love to see the priests getting aware of this revelation about what I actually did on the Sistine Ceiling! I would love to be present at the next eucharistic celebration to be held after this revelation being showed on the headlines! haahahahahahah =D
Now I'm asking myself: after the entire world getting aware about what is exactly represented on The Great Flood, there will be election of the next Pope under the Sistine Ceiling???
Well, if it happen anyway, the next Pope will be blessed by a giant penis, a huge open vagina and a flood of semen!
This is a special revelation about the Sistine Ceiling to "celebrate" 30 years of the shit of being Michelangelo Buonarroti himself. This is a special "homage" to the Catholic Church for the getting of my self-consciousness (In the following posts I will explain what I exactly mean by this). But I can't forget all the idiots that I met along these three decades. This revelation is to all of you, stupid idiots, who tried to trivialize the singularity of my life experience and to knock-down my art. 30 years after and I just want to say two things to all of you, cultural retarded people. First: I NEVER read a single line anywhere that could get close to reveal myself. Second: I NEVER saw a single drawing expressing something close to what my drawings reveal about my spiritual identity.
Well, after 30 years being treated with derision, disbelief and mockery, here it is, in this revelation about The Great Flood, the first final proof of myself. Lets be honest: you're feeling a chill down your spine. You know that only the author of this painting could point out the true hidden idea.
Now you are asking yourself: How could a giant penis, a huge open vagina and a flood of sperm make sense on the Sistine Ceiling???
Be my guest to make your bet against me!

Post#1
Well, thirty years ago, after the quick and impressive changing in my childish drawings, when people was already identifying on them the art of a famous master of the italian Renaissance, my trippy feeling about being Michelangelo Buonarroti himself suffered a radical transformation. It was the begining of the month of february, 1983, when the name Vittoria Colonna started to trigger an unstoppable despair. After the casual reading of a passage on a fascicle, "… and then he met the famous Vittoria Colonna…", the newsstand where I was disapeared before the imaginary presence of a beloved one. A strange echo in my mind – "… the famous Vittoria Colonna… the famous Vittoria Colonna…" – was the begining of my despair, was the begining of everything.
The day after of this experience of remembering a past life terrible passage, logical conclusions began to demolish my known life. First question I made myself: How could I cry for a person's death that I do not even know who is? But was the second question I made myself that led me to the checkmate of my life: And if she had died after my death as Michelangelo?
It's impossible to forget those hot summer days, when the maximum temperature was generated by the most disturbing existential quest. It was impossible to look at the mirror without asking myself: who the fuck I am? I barely could sleep. Hour after hour, the agony: all these feelings and remembrances are crazy fantasies or what I am for real is something that I'm just about to discover? I remember my futile hope on finding the logical escape of a deep self-discovering that would change my self-perception forever. I was so hopeful to discover that my emotional turmoil was just a strange illusion, although I could barely think about the name Vittoria Colonna without start crying like a baby. Finally, at the end of that february, 1983, I came across a book that not only revealed the date of her death but also described my reaction as Michelangelo. My entire world of surfing got frozen while I slowly began a spiritual drop inside the innermost limits of myself.

References:
About Yesod:
www.inner.org/sefirot/sefyesod.htm
Corresponding to the procreative organ of man, yesod is the foundation of generations to come. The power to procreate is the manifestation of infinity within the finite context of the created human being. Each individual man is "small" relative to all generations to come (from him). The yesod is referred to as the "small limb" of man, the "small that holds the large [infinite]." The yesod is the "small" and "narrow" bridge between the infinite potential of procreation that flows into it and its actual manifestation in the progeny of man.
See also: en.wikipedia.org/wiki/Yesod_(Kabbalah)
About Swadhisthana:
en.wikipedia.org/wiki/Swadhisthana
Association with the body
The location of Svadhisthana is just in front of the spine, in the sacral region, and its kshetram or activation point is in the pubic region. Being connected with the sense of taste, it is associated with the tongue, and being connected with reproduction, it is associated with the genitals.
It is often associated with the endocrine organs of the testes or ovaries in men and women respectively. These produce the hormones testosterone or estrogen, which are important factors in sexual behaviour. These are also the locations the spermatoza or eggs are stored with their latent genetic information, like the latent samskaras that lie dormant within Swadhisthana.
About The Great Flood:
en.wikipedia.org/wiki/Noah
Gnosticism was an important development of (and departure from) early Christianity, blending Jewish scriptures and Christian teachings with traditional pagan religion and esoteric Greek philosophical concepts. An important Gnostic text, the Apocryphon of John, reports that the chief archon caused the flood because he desired to destroy the world he had made, but the First Thought informed Noah of the chief archon's plans, and Noah informed the remainder of humanity. Unlike the account of Genesis, not only are Noah's family saved, but many others also heed Noah's call. There is no ark in this account; instead Noah and the others hide in a "luminous cloud".